Diaz - Don't Clean Up This Blood (2012)

10.08.2026 02:00 • 5 min read • 99 • #Movies
Warning: +16, Şiddet Pace: Yüksek Editor: 8/10 G8 zirvesi polis şiddeti Genoa protesto gerçek olaylar siyasi drama İtalyan sineması insan hakları
2012 127 min 7.2 · 439 votes DramTarih

"Diaz - Don't Clean Up This Blood," directed by Daniele Vicari, stands out as one of the boldest and most shattering political films Italian cinema has produced in recent years. Centered on the raid on the Diaz School during the 2…

7.2
439 votes
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Diaz - Don't Clean Up This Blood (2012)

Overview

"Diaz - Don't Clean Up This Blood," directed by Daniele Vicari, stands out as one of the boldest and most shattering political films Italian cinema has produced in recent years. Centered on the raid on the Diaz School during the 2001 G8 summit in Genoa—an event that went down as a dark stain in history—the film offers a powerful narrative built from real events. The production made a major impact not only in Italy but also in international festival circles, bringing the political climate of the era, state violence, and the pursuit of justice to the screen in a striking manner.

Francesco Acquaroli, part of the film's cast, delivers an unforgettable performance in the tense, hard-hitting scenes. The character Acquaroli portrays is one of the key elements contributing to the film's overall atmosphere. Both the visual language and the narrative style of the production carry a documentary-like realism that pulls the viewer into the midst of the events.

Rather than a classic drama film, "Diaz" offers a cinematic experience that recreates a real trauma and doesn't shy away from unsettling the viewer. In this respect, the film stands as an important document both in terms of film history and Italy's recent political past.

Plot

The film centers on the police raid on protesters staying at the Diaz School—journalists, activists, and members of civil society—during the 2001 G8 summit protests in Genoa. Told from the perspectives of different characters, the story conveys the events of that night to the viewer through multiple viewpoints. The tension between journalists, students, ordinary citizens, and law enforcement is handled with escalating intensity throughout the film.

The narrative structure first introduces the viewer to the characters before moving toward that inevitable night. As the different storylines intertwine, the second half of the film recreates the raid itself in detailed and intense fashion. This section stands out as the film's most discussed and most impactful part.

Why Watch It?

"Diaz" goes beyond being an ordinary historical drama, making the viewer feel the moral weight of a real event. The most striking aspect of the film is that it dramatizes the events without exaggeration, presenting them in a raw and realistic manner. The cinematography, editing rhythm, and sound design come together to draw the viewer almost inside that night.

The film also powerfully addresses universal themes such as state violence, freedom of the press, and the workings of justice systems. These themes remain relevant today, just as much as when the film was made. The performances of strong actors like Francesco Acquaroli are among the elements that heighten the film's emotional intensity.

For film lovers, "Diaz" is a production worth examining both for its technical craft and its narrative courage. It serves as an important reference point for those interested in political cinema, those who follow productions adapted from real events, and those wishing to discover strong examples of European cinema.

Who Is It Suitable For?

This film isn't for those seeking a light and relaxing cinematic experience, but rather for viewers who prefer powerful, thought-provoking, and at times disturbing content. Those interested in political dramas, productions inspired by real events, and the harsh realist style of European cinema will find great satisfaction in this film.

It also offers a meaningful viewing experience for audiences sensitive to issues such as human rights, freedom of the press, and state violence. However, since it contains intense scenes of violence, viewers who are sensitive to such content are advised to keep this in mind while watching.

Pros and Cons

Pros:

1. A powerful and compelling narrative structure based on real events.

2. Intense and convincing performances from the cast, with Francesco Acquaroli leading the way.

3. Realistic visual language and editing rhythm with a documentary feel.

Cons:

1. The intense violence scenes may be heavy for some viewers.

2. The multi-character structure can be challenging to follow in the first half of the film.

Genre and Tone

The film combines the genres of political drama and real-event adaptation. Its tone is generally dark, tense, and unsettling; this choice is directly tied to the weight of the reality the film seeks to convey. Director Vicari avoids emotional manipulation, striving to present the events as objectively as possible. This approach gives the film a documentary-like atmosphere while also dragging the viewer directly into the events.

Runtime and Viewing Experience

With a runtime of approximately 128 minutes, the film offers an intense pace. While the first section is devoted to introducing the characters, the second half focuses directly on the night of the raid. Although this structure requires some time for the viewer to adapt to the film, the viewing experience becomes quite gripping afterward, with intensifying tension and action sequences. It's recommended to watch the film in one sitting without distractions, as the transitions between the multiple perspectives in the plot require careful attention.

Similar Productions

  • "Z" (1969)
  • "Bloody Sunday" (2002)
  • "The Battle of Algiers" (1966)
  • "United 93" (2006)
  • "Romanzo Criminale" (2005)
  • "Gomorrah" (2008)

Final Assessment

"Diaz - Don't Clean Up This Blood" is one of Italian cinema's important examples of boldly addressing political and social issues. With its restrained portrayal of a real trauma, powerful performances, and striking visual language, it leaves a lasting impression on the viewer. Francesco Acquaroli's performance also makes a significant contribution to the film's overall impact.

This film can be regarded not merely as a cinematic experience, but as an effort to keep a historical memory alive. Despite containing heavy and disturbing scenes, its structure—one that provokes reflection on justice, truth, and conscience—delivers a powerful message to the viewer. For anyone interested in political cinema and eager to follow powerful stories drawn from real events, "Diaz" stands out as a must-watch production.

Details

DirectorDaniele Vicari
WriterDaniele Vicari, Laura Paolucci
StatusReleased
CountryFrance, Italy, Romania
LanguageGerman, Italian, French, English
Budget$6,453,637
Revenue$1,800,000
police brutalitybased on true story

Cast (107)

Claudio Santamaria
Claudio Santamaria
Max Flamini
Jennifer Ulrich
Jennifer Ulrich
Alma Koch
Elio Germano
Elio Germano
Luca Gualtieri
Davide Iacopini
Davide Iacopini
Marco
Ralph Amoussou
Ralph Amoussou
Étienne
Fabrizio Rongione
Fabrizio Rongione
Nick Janssen
Renato Scarpa
Renato Scarpa
Anselmo Vitali
Mattia Sbragia
Mattia Sbragia
Armando Carnera
Antonio Gerardi
Antonio Gerardi
Achille Faleri
Francesco Acquaroli
Francesco Acquaroli
Vinicio Meconi
Paolo Calabresi
Paolo Calabresi
Francesco Scaroni
Alessandro Roja
Alessandro Roja
Marco Cerone
Eva Cambiale
Eva Cambiale
Donata Stranieri
Rolando Ravello
Rolando Ravello
Rodolfo Serpieri
Emilie de Preissac
Emilie de Preissac
Camille
Mica Bara
Karin
Sarah Marecek
Sarah Marecek
Inga
Lilith Stangenberg
Lilith Stangenberg
Bea
Christian Blümel
Christian Blümel
Ralph
Christoph Letkowski
Christoph Letkowski
Rudy
Orlando Klaus
Orlando Klaus
Henke
Friederike Straub
Friederike Straub
Jutha
Max Mauff
Max Mauff
Karl
Esther Ortega
Esther Ortega
Ines
Aylin Prandi
Aylin Prandi
Maria
Monica Bîrlădeanu
Monica Bîrlădeanu
Constantine
Camilla Semino Favro
Camilla Semino Favro
Franci
Ana Ularu
Ana Ularu
Gala
Pietro Ragusa
Pietro Ragusa
Aaron
Jerry Mastrodomenico
Jerry Mastrodomenico
Sesto Vivaldi
Duccio Camerini
Duccio Camerini
Aldoino Fracassi
Vincenzo Zampa
Vincenzo Zampa
Sandro Bisiach
Cosmin Seleși
Cosmin Seleși
Girolamo Volpi
Paolo Giovannucci
Paolo Giovannucci
Medico Bolzaneto
Federico Pacifici
Federico Pacifici
Funzionario Questura
Ignazio Oliva
Ignazio Oliva
Marzio Pisapia
Niccoló Piga
Henry
Giovanni Di Felice
Alain
Alessia Giuliani
Alessia Giuliani
Simplicia Spregiotti
Renato Marchetti
Renato Marchetti
Modesto Merlini
Mircea Caraman
Mircea Caraman
Vittorio Donati
Simone Sabani
Simone Sabani
Medoro Piacioni
Alexandru Bindea
Alexandru Bindea
Fedele Pasticci
Bruno Armando
Bruno Armando
Giocondo Mazzieri
Giorgio Caputo
Lavinio Napoli
Marit Nissen
Marit Nissen
Madre di Alma
Pino Calabrese
Pino Calabrese
Pubblico Ministero
Davide Gemmani
Davide Gemmani
Direttore Gazzetta
Jacopo Maria Bicocchi
Jacopo Maria Bicocchi
Silvio Pieri
Boris Vecchio
Boris Vecchio
Barista
James Longshore
James Longshore
Charles
Gianmaria Martini
Gianmaria Martini
Lenny
Ioana Picoș
Ioana Picoș
Gilda
Oliviu Cristian
Oliviu Cristian
Hubert
Stefan Huluba
Stefan Huluba
Igor
Piero Di Tanno
Responsabile GSF 1
Cristiano Morroni
Cristiano Morroni
Responsabile GSF 2
Cezar Vlad Eugeniu Popescu
Responsabile GSF 3
Cezar Grumăzescu
Cezar Grumăzescu
Ragazzo "Cane"
Sorin Hroni-Godi
Sorin Hroni-Godi
Luciano Merola
Alin Gheorghiu
Ciro Ferro
Nicodim Ungureanu
Nicodim Ungureanu
Gianluca Zoccoli
Gheori Moussem
Amico Cecile 1
Aziz Jassim Umar
Amico Cecile 2
Alessandro Marini
Ale Ragazzo Cancello
Dana Maria Mattei
Ragazza Rasta
George Remes
John
David Brandon
David Brandon
Padre di Inga
Maximilian Dirr
Maximilian Dirr
Fratello di Ralf
Christiane Grass
Christiane Grass
Madre di Henke
Olimpia Mălai
Olimpia Mălai
Donna Francese
Bogdan Daniel Bobocea
Ragazzo Italiano 1
Bogdan Marhodin
Bogdan Marhodin
Ragazzo Italiano 2
Dan Radulescu
Dan Radulescu
Ragazzo Tedesco 1
Pop Augustin
Ragazzo Tedesco 2
Abu Zayed Amir
Ragazzo Spagnolo 1
Alexandru Nagy
Ragazzo Spagnolo 2
Alessandro Procoli
Alessandro Procoli
Caposquadra Sapori VII
Massimiliano Franciosa
Massimiliano Franciosa
Caposquadra Cantone VII
Marco Conidi
Marco Conidi
Caposquadra Turi VII
Clara Vodă
Clara Vodă
Daniela Tenuti
Fabrizio Lo Presti
Vicequestore
Orietta Notari
Orietta Notari
Caterina
Luis Frontini
Pensionato 1
Antonio Carlo Francini
Pensionato 2
Vanni Valenza
Pensionato 3
Ioana Elecfi
Ragazza Pass
Răzvan Hîncu
Răzvan Hîncu
Amico John
Alberto Bergamini
Alberto Bergamini
Antiquario
Adina Cristescu
Adina Cristescu
Poliziotta 1
Isabela Neamțu
Isabela Neamțu
Poliziotta 2
Cristina Gabriela Buburuz
Poliziotta 3
Bruno Buzzi
Bruno Buzzi
Poliziotto 1
Șerban Georgevici
Șerban Georgevici
Poliziotto 2
Gabriel Costin
Gabriel Costin
Poliziotto 3
Orlando Petriceanu
Poliziotto 4
Marcel Cobzariu
Marcel Cobzariu
Poliziotto 5
Rares Lucaci
Poliziotto 6
Andrei Mateiu
Andrei Mateiu
Poliziotto in Borghese
Ionut Chermenski
Poliziotto Documenti
Silvia Quarantini
Receptionista Hotel Genova
Clara Flores Aguilera
Signora Spagnola
Daniel Marian Popa
Medico
Liviu Pojoni Jr.
Cameraman
Lucia Istrate
Infermiera
Alexandru Unguru
Alexandru Unguru
Giornalista Greco
Antonio Zavatteri
Antonio Zavatteri
Carabiniere

Ödüller

1 adaylık
1 adaylık
  • David di Donatello for Best Director 2013

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